I don’t understand why Social Justice Warriors make such a big deal about the Hugos.It’s a meaningless status symbol. A little trophy doesn’t put food on the table, and in recent decades it is no indication of merit. As a child, every award winning SFF work I picked up was so utterly boring it turned me off from the field. Even today, I read far more thrillers and non-fiction than SFF post-1980. Where a plebeian genre writer like me is concerned, there are only two objective indications of a successful SFF story: honest reader reviews and overall sales.
Rabid Puppies, and to a lesser the Sad Puppies, have demonstrated that the Hugo Awards are irrelevant. Last year, the SJWs voted to burn down most of the Hugos than to pick a Puppy nominee. This year, the SJWs chose non-controversial picks over No Award — never mind that other finalists are objectively (in terms of sales figures, reviews and achievements) more deserving of the award, such as Jim Butcher or Toni Weisskopf. The Hugos will soon be changing their voting rules in response to the Puppies — no doubt to shut out the Puppies and only the Puppies.
The awards are so irrelevant that in a nation obsessed with firsts, nobody cares that I’m the first Singaporean to ever be nominated for the Hugos. And I don’t blame anyone. A small group of people played kingmaker, forced the SFF-SJWs and their allies to react to their strategy, AND recommended choices that more accurately reflect reader interests or literary accomplishments than the actual awardees. This tells any reasonable person that the Hugo Awards, ostensibly to represent the finest in SFF, are broken.
A Hugo Award is a hollow award.
I spent more time, energy and brainpower planning and preparing breakfast this morning than I did on the Hugos this year. Somehow, a tale I wrote, itself nothing more than a testbed for technologies and tactics like the Takao, made it all the way to the nominations. While I’m pleasantly surprised and grateful, I lose nothing by not winning the Award, and gain nothing but bragging rights by winning it. I have no stake in the Hugos and no reason to care, now or in the future. Likewise, my target audience doesn’t care about the Hugos or other awards, only whether a story is worth time and money.
I measure literary success not by trophies but by stories. Flashpoint: Titan is only the beginning: coming up next is The Burning of Worlds.