The Year of PulpRev

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In the dankest corners of the Internet, on message boards and Discord servers, on digital and legacy media platforms, in books and films and television and games, there is a war. A war not against flesh and blood, but against the gatekeepers, against the degenerates, against the secret kings of the cultural spheres, against corruption in the souls of every man, woman and child. It is a war for the future of our culture.

The entertainment industry is no longerin the business of entertainment. Marvel marvels in transforming marvelous superheros with decades-long careers of heroism into hollow husks spewing social justice diatribes at the expense of fiction. Hollywood reboots and remakes beloved franchises into thinly-veiled propaganda pieces: Star Wars, Iron Fist, Beauty and the Beast, Ghostbusters, and there is no sign of stopping. In the field of science fiction and fantasy, publishers and writers crow about #Resistance, #MeToo, feminism, social justice, gender equality and LGBTQ advocacy; and create ‘fiction’ for the sole purpose of ramming social justice messages down the readers’ throats. Cultural expression is reduced to a race to see how many -isms can be crammed into a single work.

And when faced with true monsters like Marion Zimmer Bradley, Walter Breen, Ed Kramer, Victor Salva and others, the gatekeepers remain silent.

Enough is enough.

For decades the Far Left has dominated the SFF field. In that time they built an empire of filth. Subversiveness, deconstruction, transgressiveness, antitheism, moral ambiguity, antiheroism, gratuitous violence and sex, social justice, diversity and progressivism aren’t simply themes to be explored, but ideas to be propagated to readers. After so many years of subversion, there is precious little left to subvert.

Thus, Samuel R Delaney, the man who wrote a book dripping with fictitious child rape, is celebrated as a science fiction grandmaster, while investigative reporting into actual child rape is derided and glossed over. Thus, the Hugo Awards, once a mark of the best SFF of the year, is now a marker of the most far-left SFF of the year among increasingly insular circles, and soon it will be replaced by the Dragon Awards and other awards. Thus, the hounding of YA authors for wrongthink, the censorship of SFF authors for offending sensibilities, the whisper campaign against minority authors who refuse to toe the party line, the naked discrimination against writers who do not adhere to the Narrative.

Consumers are voting with their wallets. Viewers roundly criticised the Ghostbusters reboot. Earnings for The Last Jedi saw an unprecedented decline of 69% from its opening weekend. Marvel and DC have seen massive drops in sales, and Marvel has been forced to cut its non-performing comics issues. Not coincidentally, those dropped comics are all about social justice, diversity and the usual buzzwords.

Customers do not want diversity, social justice and other -ists and -isms shoved down their throats. They want to be entertained. They don’t want stories about cat pictures, fat acceptance, the supremacy of the matriarchy, or the inevitable triumph of the dictatorship of the proletariat. They want good stories, stories with exciting action, masterful descriptions, and larger-than-life characters. They want stories that resonate with their souls.

The SJWs have built an empire of nothing, and it is crumbling to ashes. With each passing day they lie, they double down and they project. They refuse to accept that the market doesn’t want their drek, and instead insist on producing even more drek to edify the Unholy Trinity of diversity, feminism and social justice. In so doing, they are hastening their demise–and paving the way for we who would replace them.

It is time for a revolution. A Pulp Revolution.

The souls of readers cry out for goodness, and we deliver. Tales of action and adventure and awe and wonder. Fantastic worlds, amazing technology, stupendous magic, eldritch horrors, dastardly villains, heroes, knights, kings and queens. Masculine men in perfect synergy with feminine women. Transcendent gods and malicious devils. Virtue, courage, heroism, sacrifice, duty, nobility, honour. These are the stories we have spent our professional lives studying, advocating, and writing. We are ready to meet the call of the market.

As Herald of the PulpRev and Warboss of Steempulp, I declare 2018 to be the Year of PulpRev. The goal is absolute domination of Steemit’s fiction community. Steemit is virgin ground, filled with potential, and ripe for the taking. Through Steemit, we shall show the world the grandeur that is the Revolution and the Revival. We shall establish the golden standard for online fiction.

Our methods are simple. We shall study the craft of the pulp grandmasters and contemporary bestsellers to sharpen our own. We shall study the business models of indie writers, small publishers, Japanese light novels and Chinese web novels to lay the foundations for our success. Most of all, we shall employ our secret weapon: PULP SPEED.

We stand at a turning point in history. Markets demand what we offer. Technology gives us a means of censorship-proof publishing and an easy way to get paid. All that is left is for us to seize the opportunity and build the culture of tomorrow.

High energy. Regress harder. Pulp speed. These shall be our watchwords and our arsenal. Through 2018 and beyond, we shall sweep away the Empire of Nothing and build upon its ashes our Dominion of Pulp.

In 2018, we shall make fiction great again.

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Cover image: ‘David slaying Goliath. Line engraving by M. Vandercuicat after G. Freman’ by G. Freman. Credit: Wellcome Collection. CC BY 4.0.

If you want a taste of the kind of stories we offer, check out my Dragon Award nominated novel NO GODS, ONLY DAIMONS and my novella INVINCIBLE.

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