SIGNAL BOOST: The Ronin Genesis by Steven Hildreth Jr.

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I’ve known Steven for 13 years and counting. Back then, we were newcomers on the writing scene with more ambition than skill. Nonetheless, we kept each other going over the years, even though I veered off into science fiction and fantasy while he stayed a purebred thriller writer. With THE RONIN GENESIS, I can confidently say that he has reached new heights.

Previously in THE SOVEREIGNS, former Special Operations soldier Benjamin Williams intervenes in a terrorist attack at the Saguaro Towers in Tucson, Arizona. But the strike was a false flag attack engineered by Iran to breach the American covert intelligence infrastructure — and the true mastermind has fled the scene with a thumb drive filled with sensitive information.

With no other options, the Central Intelligence Agency turns to a small Private Military Company to find the Iranian and recover the thumb drive. The PMC in turn hires Williams and members of his former Special Activities Division team. Pursuing their target through Mexico, Williams and his teammates must battle mercenaries, a ruthless drug cartel and a shadowy wet work team. And in this multi-factional drug war, the Ronin Defense Institute will be born in blood and steel.

Steve made his mark writing hard-hitting action-packed thrillers intertwined with surprising depth of character. As a beta reader of THE RONIN GENESIS, I can confidently say he took his skills to the next level. Action scenes explode from the page from the first trigger pull, and once the shooting stops there’s no letting up until the last body falls. The operators are portrayed authentically, displaying the mindset, training, techniques, tactics and procedures that separate the best from the rest. When Williams and his allies clash with the opposition, both sides do their best to outwit and outfight each other, creating satisfying scenes of suspense, drama and all-out action.

It’s not all blood and guts and gore. During breathers, Steve explores his characters’ histories and personalities, letting his characters evolve with the plot. We see more of Williams’ backstory, gain insights into why the bad guys do what they do, and even peek into the hearts of many minor characters who, in other stories, would be shown once or twice and soon forgotten.

Steve’s writing is clean, precise and hard-hitting. Brisk and workmanlike, it is highly reminiscent of the best of Robert Ludlum and Tom Clancy, with events proceeding at breakneck pace. While there are plenty of acronyms and military jargon in there, the book also comes with a glossary for readers new to the genre.

THE RONIN GENESIS also takes the series into a darker direction. Steve has never shied away from graphic depictions of violence and torture, but this novel kicks it up a notch. Even so, it’s never employed gratuitously for mere shock effect; instead, it underscores the brutality of Mexico’s drug war, creates chilling portrayals of human evil, and demonstrates the terrible cost of sustained violence on the human spirit.

I only have one main issue with the novel. Now and then the characters make references to past adventures that Steve hasn’t written yet. Having sat with Steve and discussed his ideas for the series, I can say that the novel will spoil some of his future novels set prior to the events of the currently-published series. Among the many stories I’ve read this is a novel issue — but it will not in any way affect your enjoyment of the novel.

You can pick up THE RONIN GENESIS on Amazon in Kindle or paperback here.

I, ESCHATON is live!

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I, ESCHATON is live and ready for sale! The third entry of the American Heirs series, this story picks up where KEEPERS OF THE FLAME left off, taking Master Sergeant Christopher Miller into a new battlefield. To quote the blurb:

Master Sergeant Christopher Miller has returned home from war, but war has come to find him.
The Sons of America are targeting the Wilshaw Foundation, and Miller’s lover, Sarah Grey, is at the top of their hit list. To survive, Miller must go underground with Sarah. But to prevail, they must ally themselves with the enigmatic artificial intelligence that calls itself Eschaton.
An extension of the smart networks that underpin the Republic of Cascadia, the AI offers contacts, resources and the full power of the national security apparatus. But at what price?

I, ESCHATON can be found on Amazon, Smashwords and Payhip.

Observant customers might have noticed the prices. That’s right: I’ve slashed the prices of my stories. Previously, novels were USD$5.99 and novellas at USD$3.99. Now, they are priced at USD$3.99 and USD$2.99 respectively. Plus. if you share my ebooks on Facebook and Twitter via Payhip , you’ll also get a 30% discount. These among are the most affordable military science fiction ebooks on the market; get them while you can.

In other publishing news: I’m about two-thirds of the way through my next novel, NO GODS, ONLY DAIMONS. It is a science fantasy novel set in a world populated by daimons and jinn, where specially-trained psions can use divine or infernal materials to reshape reality or themselves. It has cybernetics, reality manipulation, daimonic summoning, high intensity close quarter combat, hacking, and rumours of a coming apocalypse. It’s the first book of an exciting new series, and I hope I can share it with you soon.

I have also begun work on another short story. This one is a military science fiction action story with horror elements, with the setting organically allowing for magic. I can’t say anything else about this, only that just thinking about it makes me break out into giggles. In a good way.

I, ESCHATON ready for preorder!

It is my unalloyed pleasure to announce that the third entry in the American Heirs series, I, Eschaton, is now available for preorder. I meant to make the announcement earlier this week, but I had to sort out no end of formatting issues until today. Here’s a shot of the cover and the blurb:

Master Sergeant Christopher Miller has returned home from war, but war has come home to find him.
The Sons of America are targeting the Wilshaw Foundation, and Miller’s lover, Sarah Grey, is at the top of their hit list. To survive, Miller must go underground with Sarah. But to prevail, they must ally themselves with the enigmatic artificial intelligence that calls itself Eschaton.

An extension of the smart networks that underpin the Republic of Cascadia, the AI offers contacts, resources and the full power of the national security apparatus. But at what price?

I, Eschaton will go live on 4th May 2015 on the wrong side of the International Date LineYou can make pre-orders now on Smashwords and Amazon. When the manuscripts go live, I’ll be uploading a copy on my ebook store.

I, Eschaton marks the halfway point of American Heirs. There are three more stories to go, two novels and a novella. For the time being, though, I’m working on a different story with a different series concept. It’s nothing like what I’ve ever done before, and I’m keeping the details to myself until everything’s ready.

I can, however, reveal the working title: No Gods, Only Daimons

Price revisions for Payhip and Keepers of the Flame

One of the benefits of direct ebook sales is that I get to enjoy very high royalties. 95% from Payhip, all of it mine. This is a stark contrast to the 45% I get from Amazon and Smashwords after the IRS takes their cut. What this means is that I can offer deeper discounts on Payhip than other platforms without actually losing money.

Novellas on Payhip will now be priced at USD$2.99, and novels at USD$4.49. In addition, if you share the purchase links on Facebook and Twitter, you will get an additional 30% off. If you haven’t already, you can pick up American Sons, Keepers of the Flame and my standalone novella At All Costs at far lower prices than my other distribution platforms.

In addition, I’ve also adjusted the price of the paperback version of Keepers of the Flame. Previously, it was USD$15.99. Now it is only USD$12.99. You can buy it here. The initial 5-star review has been very positive. To quote:

“Keepers of the Flame is akin to 40 different cameras following 40 different characters taking photographs of how the same overall event proceeds. And it does not feel nearly as disorienting as it sounds, since the progression is coherent though the perspectives constantly change…In seeing events unfold from multiple differently biased sources, it becomes possible for the reader to attain what feels like a form of objective view on the situation depicted in the novel. And it is, indeed, a very precisely described view.

“…[A]t times the words seem to disappear, their place being taken by a high definition video of the story; yet it never devolves into purple-prose territory. …[I]t feels like how you would naturally take in details from your surroundings – never so few as to be unaware to them, never so many that the framerate of the video is compromised by its resolution.”

You can think of it as an action movie in the form of a novel, with the occasional digression into politics and philosophy.

In other writing news, I am planning to create a newsletter specifically for book releases, and will be implementing discount codes and preorders in the future. This means that if, for whatever reason, you prefer Amazon or Smashwords, you, too, will enjoy discounts at a later date.

Finally, I’m working up edits for the next entry in the American Heirs series. It is a novella that takes place about a week after the climax of Keepers of the Flame, and I am aiming for publication at the end of March. More details will be forthcoming in the future. But for now, I can share with you the title:

I, Eschaton.

Sidestepping #VATMESS: My new approach to ebook pricing

Books are my life. I spent my childhood in and out of libraries and bookstores, exploring the worlds and ideas of countless thinkers and writers. Today, books are my lifelihood, serving simultaneously as research material, entertainment, study guides, teachers and companions. Books made me who I am today, showing me worlds beyond this one, pointing to futures yet born and ill-lit histories, whispering hints to build bridges between today and tomorrow.

I believe in a world where books are cheaply and readily available. I believe in a world that values literacy and education, where the sum of human knowledge can be found at one’s fingertips. I believe in a world where technology can synergise with business and art. I believe in a world where artists can be paid fairly for their work, where readers can access high quality books at reasonable prices, where entrepreneurs need not pay unreasonable tax burden to enjoy the fruit of their labour. I believe that in this lifetime humanity has the power to make the first steps towards this new information revolution.

I believe.

The new Value Added Tax threatens to undo all this. Previously, the European Union charges Value Added Tax based on the location of the seller. Now, VAT is charged according to the location of the buyer, and sellers are required to harvest the buyer’s data for VAT compliance. As TechCrunch notes, these rules present an onerous burden on small busineses–like virtually all indie writers–who now have to handle even more paperwork and reconsider pricing strategy.

As BuzzIndie points out, the new VAT rulings would crush indie writers, entrench major companies thanks to their ability to handle VAT, and open a whole host of legal ambiguities. The result is a #VATMESS that will not go away. Already, Amazon is taking advantage of its position by automatically raising prices for ebooks sold in Europe, and threatening to price-match ebooks should their bots find that an author charges lower prices elsewhere. Mark Coker from Smashwords predicts that the new VAT ruling will place a dampener on sales from Europe.

Yet I believe.

Independent writers like me face a dilemma: absorb the tax burden or pass on VAT to our European clients. From my perspective, it is incredibly tempting to just raise prices to meet the new VAT rulings, since I’m already slammed with a 30% withholding tax from the IRS.

Currently, I make far fewer royalties than my foreign peers. When I sell a book on Amazon or Smashwords, the distributor takes 30% of the proceeds. Of the 70% that remains, the IRS takes another 30%. This leaves me with a royalty rate of roughly 45%. With the new VAT ruling, VAT is subtracted first before all the other subtractions. Going with a European average of 20%, that means my royalties from European sales will hover at around 39.2%.

And I’m not talking about my own tax liabilities yet.

Still I believe.

This #VATMESS is going to take a long time to sort out. But I believe in a world where people do not have to choose between dinner and a book. I’ve had to make that choice too many times to wish it on anybody. And I believe in a world where a man should not have to put up with excessive demands for data and exorbitant taxes from foreign bureaucrats for the ‘privilege’ of doing business. The Internet and the indie publishing revolution promised an end to such nonsense, and I will keep to this.

I believe. And this is why I will be absorbing VAT.

I will not be adjusting the prices of my ebooks on Smashwords to account for a policy I’ve had no say in. Amazon has automatically raised the prices of my ebooks on Europe; when their bots find the lower prices on Smashwords I fully expect them to lower my prices on Amazon automatically. I don’t see a point in investing the time  needed to manually set lower prices on Amazon for each European country to meet different VAT regimes and periodically update them to account for fluctuating exchange rates (I have to think in three currencies when setting prices!) when my European sales via Kindle are practically nil. I’d rather focus my energies on directing European customers to places where they won’t have to pay elevated taxes, such as Payhip.

Previously, I sold ebooks through Gumroad, Sellfy and CoinLock. Neither Coinlock nor Gumroad would help me sort out the #VATMESS, effectively forcing me to maintain huge customer databases, capture addresses and determine how much tax should go to which country in Europe. I do not have the time or ability to do this, so I have closed these avenues of sale. As for Sellfy, I wasn’t too impressed with the marketplace and (lack of) categorisation for ebooks.

Therefore, I have consolidated direct purchases through Payhip. Payhip charges a flat 5% fee of the gross sale price for each transaction through Paypal. It also promises to handle VAT paperwork. It’s a godsend for writers like me, allowing me to focus on writing instead of paperwork, while still earning much higher royalties than the major distributors. My Payhip prices will be inclusive of VAT, so all my customers should see the same price regardless of where they are.

Payhip also allows me to do neat things like social discounts. If you share my Payhip ebook links on Facebook or Twitter, you will enjoy a 30% discount. Here are the links to At All CostsAmerican Sons and Keepers of the Flame.

I hope you will enjoy these stories. Together, I believe we can build a better world, a world where the politicians regret the #VATMESS they have created and small businesses can get on with delivering content instead of paperwork.