SIGNAL BOOST: Lyonesse Volume 1 by Silver Empire

Lyonesse

 

I am pleased to announce that Silver Empire has published Lyonesse Volume 1, a collection of 16 short stories published through its Lyonesse service. For the low, low price of just USD $6.99 a year, Lyonesse delivers a short story every week to its subscribers’ inboxes, plus a bonus story over the holidays.

Volume 1 collects the stories published in the spring of 2017. Among these stories in this volume are Four Weddings and a Funeral by 2017 Dragon Award nominee L. Jagi Lamplighter, two stories by Dragon Award nominee Declan Finn, and We Bury Our Own by yours truly.

In my not so humble opinion, We Bury Our Own is one of the finest short stories I have ever written. Starring a trio of humans elevated into sci fi battle angels, they must make their way across a world drowned in mysterious corrosive mist to do battle with a fellow warrior who has succumbed to the sin of pride. It’s a story where blasters and behemoths, revenants and swords, and mysticism and magic collide.

The other stories in Lyonesse are amazing in their own right. Four Weddings and a Funeral features a woman who can raise the dead, and grapples with the philosophical implications of doing so. In Zombie Jamboree, one man takes on a zombie invasion of New York, while The Dragon’s Teeth is the story of a soldier who faces impossible odds as he fights for a lost cause. Readers who enjoy old-school science fiction and fantasy, stories of wonder and joy and excitement, will find much entertainment in these stories.

Lyonesse Volume 1 is available on the Amazon Kindle store here. To find out more about Lyonesse, you can check it out here.

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Behind the Story: WE BURY OUR OWN

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Writing stories is a gruelling experience. Mostly it’s like mining: you show up, you punch away at the keyboard, and you keep at it until the task is done. Sometimes it’s like squeezing blood from a stone, and most of the blood will be yours. And sometimes, the words flow unceasingly from a source higher and deeper and truer than anything the naked eye can perceive.

We Bury Our Own is most definitely the last.

The genesis of the story was an odd one. In late 2015 I stumbled across a strange manga:Shuumatsu no Maristella. It was the most surreal manga I had ever seen. It featured soldier girls with assault rifles sworn to the church who take drugs to spawn angel wings to fight sea creatures spawned from the information sea and copulating with certain monsters to produce valuable materials, in an attempt to retake the world.

I’m probably understating the craziness of the whole affair; that’s how strange it was.

But it stuck.

It bounced around my head, merged with my martial arts training, the omnipresent Mist of Final Fantasy IX and the monsters of the entire franchise, the Kabballah and other concepts. From there came the spark of an idea.

But inspiration alone isn’t enough, of course. The first time I tried writing a story based on those ideas, nothing came of then. There was too much Shuumatsu no Maristella, too little of myself.

Then came the 2016 Baen Fantasy Award I started pondering the possibilities. Baen wanted heroic fantasy. Tales of warriors solving problems with weapons or wits. Not boring allegories, talky political drama, angst or any draggy stuff. It was right up my alley. And I had a concept ready for it.

I tore down the old story. Re-examined every assumption, every concept, every pillar of the story. Created an overarching storyline, characters, concepts, settings, and more. There was enough material in there for a novel, maybe a series. And from there I fished out just enough for a short story, a snapshot of life in the Order of Saint Joshua.

Thus was born We Bury Our Own.

It was unlike anything I had written to date. It was a story of pride and consequences. Of men who tried to be like gods and fell prey to their hubris. It was about men with unusual powers, seen as angels and monsters, who had to venture into the all-corrupting mists of the world and wield the powers of creation to save humanity without falling prey to the mist. It was nothing more and nothing less than a battle between an angel who saw himself a men and a man who saw himself an angel.

Or, in simpler terms: a story about sci fi battle angels armed with blasters and swords versus mist monsters spawned from thought.

Writing it was…strange. It was as though my consciousness had stepped back, letting something else, something greater, take over the keys. I only had the barest inkling of a plot and characters, yet as I went along I saw the story take shape before my eyes. In the prose I saw bands of gold and gray, streaks of steel and silver, thunderbolts turned solid and swords fading into mist.

Normally I would discuss the hows and whys of writing this story but I don’t think there was much of ‘me’ writing it. Not this time. I only made a few conscious decisions: incorporating sword and gun, how the world was set up, how the characters were seen and what defined them. Everything else…

Call it God, intuition, the muses, whatever, but I got out of its way and let it do the writing. The resulting story was unlike anything I had ever done before. But it felt right. It was clean. Beyond a few edits for typos, no further changes were needed. When I sent it in to my writer’s group, there was nothing but praise.

When I sent it to Baen, I received new response. Then I sent it to Silver Empire’s Lyonesse project.

And it was accepted.

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Lyonesse went online three days ago. For the price of a single ebook, Lyonesse will release one science fiction or fantasy story a week for a year. It’s practically a steal — and if you’re a writer, Lyonesse is still looking for fresh material.

When I read We Bury Our Own again, I did so with fear and trembling. Never before had people praised my work so highly. By publishing it I had set a new benchmark for myself. A new standard I had to meet and surpass. I don’t know if I can ever do it, but I have to try: in this business you’re only as good as your last remembered work.

And yet…

Everything about the story was different from what I had previously done. The themes, the abstract concepts, the vocabulary, the aesthetics, even the cadence of the dialogue and narration. It’s so vastly different that I don’t know if I could do it again, much less replicate it if I ever revisit the universe.

And yet…

In this business you’re only as good as your last remembered work. You cannot settle for being good enough, for being mediocre, for plateauing out. You have to keep getting better. It’s the only way to master the craft and stand out from a market deluged with self-published wannabes and pretentious pseudo-literary message fic. You have to be the best you can be, and I know that I’m nowhere near there yet.

If there is one lesson I need to learn from this story, it’s that I shouldn’t think too much. I found that after a certain point, when the worldbuilding is settled and the characters understood, rational thought gets in the way. Thinking through every tiny detail becomes a waste of time and energy. I just need to show up, set my conscious mind aside, and write.

Time to see how that works out.

Artwork by Andy Duggan

Lyonesse picture by Silver Empire

Lyonesse: Make Short Fiction Great Again!

Lyonesse, a short story subscription service, promises to revolutionise the industry. Its Kickstarter is now online, within a single day, the campaign has already reached almost half of its funding goal.

Silver Empire has put in a great deal of effort making Lyonesse possible, and as I have described in a prior post, I believe that Lyonesse will provide a much-needed shot in the arm in the field of SFF. Unlike many mainstream ‘SFF’ magazines, Lyonesse does not elevate politics above story to the point of unreadability. Through a clever subscription model and regular delivery of stories, Lyonesse offers a much-needed alternative to print magazines that refuses to compromise the quality of storytelling.

Lyonesse’s authors include the inestimable J. Lagi Lamplighter, Dragon Award nominee Declan Finn, and of course, yours truly. The subscription fee is a mere USD $6.99. In exchange, you receive 52 stories, plus bonus stories during the holidays. It’s an incredibly generous offer.

If you have spare change, send some to Silver Empire, and together we can make short fiction great again.